The Marsden Hartley Legacy Project:
The Complete Paintings and Works on Paper

Marsden Hartley, Hall of the Mountain King, ca. 1908-09, oil on canvas, 30 x 30 inches, Crystal Bridges Museum of American Art
Marsden Hartley, Hall of the Mountain King, ca. 1908-09, oil on canvas, 30 x 30 inches, Crystal Bridges Museum of American Art
Abstract oil painting by Marsden Hartley featuring geometric shapes in primary colors.
Marsden Hartley, Paris Days Pre-War Pageant, 1913, oil on canvas, 39 ½ x 31 7/8 inches, Deborah and Ed Shein Collection
Marsden Hartley, End of Storm, Vinalhaven, Maine, ca. 1938, oil on masonite, 22 x 26 inches
Marsden Hartley, End of Storm, Vinalhaven, Maine, ca. 1938, oil on masonite, 22 x 26 inches, Barbara B. Millhouse, on loan to Reynolda House Museum of American Art

Marsden Hartley has long had a place in the canon of 20th century American Modernism and continues to garner international attention through major museum exhibitions and a long history of scholarly monographs, biographies, exhibition catalogues and articles on many aspects of the artist’s work and life, both as a painter and writer. Nevertheless, of the noted American artists of his generation, Hartley alone is without a publication of his oeuvre. Accordingly, in 2019, independent art historian and long-time Hartley scholar, Gail R. Scott and the Bates College Museum of Art inaugurated the Marsden Hartley Legacy Project: The Complete Paintings and Works on Paper (MHLP). This comprehensive, annotated online catalogue of all known paintings and works on paper created by Hartley during his lifetime will establish a legacy befitting Marsden Hartley’s place in American art.

Born in Lewiston in 1877 and coming full circle back to the state in the last six years of his career, Hartley’s creative genius found root and then eventually came to full maturity in Maine. The State was formative to his emergence onto the American and international art stages, as well as the location of the culminating achievement of his distinguished career. Given this arc, it is both fitting and important that Hartley Legacy Project should be founded and sustained in Maine and, specifically, in Lewiston and with the Bates College Museum of Art, which has a long and rich association with the artist, beginning with his own stated desire to bestow a gift of his work to the College to the benefit its students and the young people of Maine. Hartley’s niece, Norma Berger, in carrying out her uncle’s wishes, gave to Bates College a group of art works, artifacts, manuscripts, and important memorabilia from the artist’s estate that now comprises the important Marsden Hartley Memorial Collection, the largest collection of his drawings anywhere, as well as a growing body of paintings, and invaluable documents relating to his life and career.

Oil painting depicting Mount Katahdin in the background, two pine trees and a body of water
Marsden Hartley, Mt. Katahdin, 1941, oil on Masonite, 22 x 28 inches, Jonathan and Darby Rosenstein Collection
Sketch of Mount Katahdin by Marsden Hartley
Marsden Hartley, Mt. Katahdin No. 4, 1939, charcoal on paper, 12 x 14 inches, Bates College Museum of Art purchase with funds from the Olivia and Ellwood Straub Endowment, the Robert A. and Minna F. Johnson Art Acquisition Fund, and the Jean LeMire Payne ’53 Museum Fund, Marsden Hartley Memorial Collection (2012.23.1)

Through the years the Bates Museum has organized numerous exhibitions of art and other objects from its collections, hosted symposia, lectures, and other public events, and become an invaluable resource for Hartley scholars. With the addition of the Hartley Legacy Project, Bates College Museum of Art will be the preeminent institution for comprehensive scholarship on the artist, and Marsden Hartley will come into his own—fully and finally and in his native place.

We are pleased to announce that, after years of intensive research on the more than 1650 paintings and works on paper, we are beginning the process of designing the MHLP website and now anticipate the online presentation launch Fall 2025.

Generous funding from Horowitz Family Foundation, the Vilcek Foundation (Vilcek.org) , and the Wyeth Foundation for American Art has made this work possible, and we greatly appreciate their support.

Logo for the Wyeth Foundation for American Art

We also wish to acknowledge the growing number of private donors whose gifts are enabling the work to go forward, including numerous anonymous individuals and Friends of Marsden Hartley (FMH) (lead gifts of $10,000 or more).

  • Anonymous (FMH $50,000)
  • Anonymous (FMH $50,000)
  • Kate and Arnold Schmeidler, Mamaroneck NY (FMH, $10,000)
  • J. Jeffrey and Ann Marie Fox, PA
  • Kirk Hopper, Dallas TX
  • Randy and Linda Lewis, Davenport IA
  • Bro Adams and Lauren Sterling, Portland ME

To donate you can send a check, made payable to “The Marsden Hartley Legacy Project” to:

Bates College Museum of Art
75 Russell Street
Lewiston ME 04240

Your contribution is tax-deductible. And thank you!

If you own a work by Marsden Hartley and have not been contacted by the MHLP, we continue to review submissions. Please visit the Artwork Submissions link below for more details. Submissions should be sent to hartleylegacy@bates.edu.
Additional Information and Resources